The Who - Notes from Pig City

Powderfinger: Unreleased 1998-2010

Albums of Odds & Sods (the name the Who gave to one of the first compilations of rarities, released in 1974 in an attempt to short-circuit bootleggers) are often more interesting than best-of collections. While the latter are usually predictable roundups for casual fans of an artist, albums of outtakes, B-sides and strays are for the diehards. Done right, they are a glimpse into a parallel career, the songwriting process and what might have been.

Powderfinger were a democratic band with five headstrong members who all brought ideas into the rehearsal room and who didn’t always agree with one another. Songs would get cut up, rearranged and drift in and out of the conversation for recording. They were both prolific and fussy, so it’s not surprising that over a 20-year career there’s a lot of material in the archives that never saw the light of day.

All that said, it is extraordinary that a song as solid as Day By Day, this album’s hip-shaking lead single, was left off the 2003 album Vulture Street. Singer Bernard Fanning says he’s amazed they didn’t find a place for it; drummer Jon Coghill told me there were too many similar songs on the album.… Read more..

The power and the passion of Midnight Oil still burns

Music / May 6, 2016 / 5 minutes of reading

I’m at home and listening to 10, 9, 8, 7, 6, 5, 4, 3, 2, 1; Midnight Oil’s apocalypse-themed fourth album. Fucking loud – there was never any other way to listen to them, really. I haven’t listened to the Oils for maybe 10 years, though, because I haven’t needed to. They’ve always been there. I’ve just caught myself singing quietly along to the opening track Outside World as I’m writing: every lyric is embedded in my skull.

Now it’s Only The Strong. “Speak to me, speak to me / I’m at the edge of myself / I’m dying to talk.” Midnight Oil were a deeply political band, but earlier in their career they could do post-punk existential angst with the best of them. They were everything you remember them to be, but also more than maybe you’ve forgotten, or perhaps ever realised.

To call Midnight Oil a pub rock band is, as Nick Kent once famously observed of Television, akin to calling Dostoevsky a short-story writer. They merely played in pubs before graduating to arenas and stadiums. Their closest peers were the Clash, Gang of Four, and early Elvis Costello; the Who their direct forebears. And they were genuine radicals.… Read more..

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