Welcome to Notes From Pig City. This is my online archive for as much of my journalism as I can keep up with. Published pieces will be reposted here as soon as they can be. I also write exclusively on my Patreon page; those pieces are not republished here.

I’m the author of two books: Pig City (2004), a book about Brisbane, and Something To Believe In (2019), a music memoir. I work independently for many different publications and occasionally for others behind the scenes.

I have a wide variety of interests, and they’re reflected by the number of tabs in the main menu. You can click through those, or the archive list at the bottom to find what you might be interested in, whether you’re a casual visitor or looking for something specific.

This site used to be known as Friction. I changed it to something more clearly identified with my work and where I live. If you want to get in touch send me a message here, or via Twitter (@staffo_sez), though I don't hang out there much anymore, because you really should never tweet.

Fat Maori: Amsterdam

This post was originally published before the one on Lille. Somehow it went AWOL so I’ve reposted it here. In sequence it should be read before the entry on Lille. Apologies for the foul-up: that’s life on tour I guess.

Gregor, Richie and Andy B wash back onto the shores of the Crown in the small hours of the morning like pieces of human flotsam. Gregor has to be practically dragged, kicking and screaming, to bed. He’s laughing and carrying on like a pork chop.

“Shut up, you fat Maori,” Andy B bellows. Everyone is laughing, even those of us who are trying to sleep. Gregor finally flakes out and immediately starts to snore like a brontosaurus, with his feet up against the wall. It takes Andy and Richie to get him prone and roll him over.

I WATCH them all stagger out one by one in the morning. Everyone slumps on the steps of the hotel, smoking quietly and trying to get their bearings.

Gregor is last to emerge. It’s as sunny as it’s been in Amsterdam since we arrived. “Keep on rockin’ in the free world,” he says with a nod to the bemused barman. He reaches the steps of the hotel, spreads his arms wide and gives one of his impish grins.… Read more..

Fat Maori: Amsterdam Read More »

Give them the merde: Lille

It was Stackers who got us out of trouble. I’d tried to gather everyone together and was talking about getting a cab back to the Crown to get our passports quickly enough to make the return journey to Pacific Parc so we could get paid before the place shut. Hey, we’d lose out on cab fares, but 350 Euro were at stake. And Bone seemed pretty adamant that there was no other way.

Stackers was having none of it. “There’s always a way,” she said quietly. She and Gregor are the only ones to have brought their passports to the gig. There’s also a friend of the band, an ex-Brisbane girl called Jules now living in Denmark, who’s joined the band for the gig, and she has her passport too. Stackers marches back to the mixing desk with them and charms Bone into filling out the paperwork as if the three of them had been the band that night.

It was nearly 3am by the time we’re finally free to go, and by then the elation of the first gig of the tour is wearing off. It’s damp and cold and we’re lugging not only all our gear but a large cardboard box of 100 T-shirts.… Read more..

Give them the merde: Lille Read More »

Dogs in the wheelie bin: Brisbane-Guangzhou

We assemble at Brisbane International Airport at 6am. Our friend Dave Kettley, from the New Christs, has emailed advice about flying on China Southern Airlines. The New Christs are hardy veterans of the European touring circuit. “Spread the load and definitely all go to the counter as a large group,” he writes. “Is your manager coming from Oz with you? The Staph?”

That’s me. The Golden Staph. Thanks, Dave.

“Make use of the extra person,” Dave’s email continues. “Pack as light as you can. Put your pedals in your bag but your leads in your case – they’re considered a strangling weapon and will be confiscated.”

We’re all at the counter, but my carry-on luggage is full of strangling equipment: computer cords, phone chargers and the like. Who knows what or whom I’ll need them for? I put the computer cords in my case, but forget about the others.

Thankfully, it doesn’t matter. Kelly, our customer assistant at the China Southern desk, doesn’t seem to like her job much but she’s incredibly cool. She checks our passports and her hand’s like a magic wand as she waves through everyone’s gear, probably saving the band a few hundred dollars in extra weight.… Read more..

Dogs in the wheelie bin: Brisbane-Guangzhou Read More »

Euro Double-Vision

Sorry for the late post (and late notice), but I’ve been packing/panicking. I’m about to set off on a grand adventure. Tomorrow morning, I’ll be flying to Europe, tour managing a Brisbane band on their first tour of Europe. Heeeeeere we go…

dblev

Actually, “tour managing” is a bit highfalutin’ (HITS prefer to say they mismanage themselves). Basically, I’m their driver, merch pimp, nanny, fan, friend and documentarian. I’ve driven a van for 10 years – a maxi taxi – so this is a far more enjoyable way to use those skills.

It’s not every day that a band changes your life. HITS changed mine about five years ago: 7 April 2007, to be precise, which happened to be my 36th birthday. I’d still take that one over the other 40 in a heartbeat. The venue was the Colombian Bar, in Brisbane, and the first song they played was I Swear I’ll Never Sing A Song Again. I liked them right away.

It was their first gig in their current five-piece incarnation. Visually, to say they were striking was an understatement. I’d known the singer, Richard Hunt – known by his nom-de-punk Evil Dick – for around 15 years by then; I’d last seen him in an earlier band, the Aampirellas, whom major labels had shown some interest in, despite severe reservations about the greasy-haired singer/guitarist.… Read more..

Euro Double-Vision Read More »

Baiters, haters and spivs

In the online edition of Melbourne-based publication King’s Tribune last month, editors Jane Gilmore and Justin Shaw came to a radical decision. They resolved – after a few months of earnest consideration was capped by one post of anonymous, misogynist bilge too many – to turn comments on their website ”off”.

Given the magazine deals mostly in robustly expressed opinion, and not wishing to discourage debate, Gilmore and Shaw made an even more radical suggestion: letters could be sent by email or Facebook, or even (are you sitting down?) by post. The most cogent, topical and witty of them would be considered for publication.

It’s important to note the Tribune is a small venture. It began five years ago as a newsletter for a St Kilda bar and became a ”real” magazine last October, extending its reach through newsagents into Sydney and Canberra. Its circulation is less than 1000; Gilmore and Shaw keep day jobs.

There are practical reasons for a small publication like the Tribune to disable comments: neither the editors nor individual writers have the time, energy or inclination to monitor and moderate, much less reply to them all. There are more pressing things, such as getting out the next issue.… Read more..

Baiters, haters and spivs Read More »

Bean-counters at the gates of Queensland

And here I was thinking that Queensland wasn’t about to return to the Dark Ages. That nice, “comparatively urbane” Campbell Newman wouldn’t do anything really dumb in his first fortnight, like, say, axe the Queensland Premier’s Literary Awards. Would he?

Oh, wait. He would. He has.

“…The Queensland government has decided not to proceed with the Queensland Premier’s Literary Awards in 2012 which will save Queensland taxpayers $244,475, not including the cost of resourcing the awards.

“The government would like to acknowledge all the sponsors, judges, stakeholders, entrants and winners for their valued contribution to the program to date.”

Well, that’s nice. Clearly though, their contributions are no longer valued – or perhaps more to the point, their contributions are nowhere near as politically valuable as a holy budget surplus. I can only guess, given the speed with which the axe has fallen, that literary prizes fall under the umbrella of the “waste and mismanagement” Newman railed against while in opposition.

On one hand, it’s smart politics. Newman will guess that not too many people in the arts sector will have voted for him, and probably never will. This won’t be news for more than five minutes outside of the minority of Queenslanders that actually, you know, read books.… Read more..

Bean-counters at the gates of Queensland Read More »

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