Welcome to Notes From Pig City. This is my online archive for as much of my journalism as I can keep up with. Published pieces will be reposted here as soon as they can be. I also write exclusively on my Patreon page; those pieces are not republished here.

I’m the author of two books: Pig City (2004), a book about Brisbane, and Something To Believe In (2019), a music memoir. I work independently for many different publications and occasionally for others behind the scenes.

I have a wide variety of interests, and they’re reflected by the number of tabs in the main menu. You can click through those, or the archive list at the bottom to find what you might be interested in, whether you’re a casual visitor or looking for something specific.

This site used to be known as Friction. I changed it to something more clearly identified with my work and where I live. If you want to get in touch send me a message here, or via Twitter (@staffo_sez), though I don't hang out there much anymore, because you really should never tweet.

Love’s shadow

A piece of paper stuck to the entrance of the Coburg RSL in Melbourne reads “cash only (dark ages)”. It’s not much warmer inside than the freezing July night outside. A lonely few returned servicemen and their wives prop up the bar. At the far end of the hall is a makeshift stage, instruments and amplifiers waiting for a crowd that would never normally be here. Images of soldiers watch like sentries overhead.

The first person I see is Melbourne singer and songwriter Jen Cloher, one of the main reasons a large crowd will soon pour through the doors. The other is her partner and lead guitarist in her band, Courtney Barnett. Cloher is stirring two large vats of pumpkin and black bean soup for the soon-to-be huddled masses. “Gotta serve something to warm up the troops,” she says cheerfully.

She’s on first. Her bass player Bones Sloane, who also plays with Barnett, plays the opening notes of a new song, Regional Echo. “We’ve got a new album coming out,” Cloher says when it’s over, to polite whoops from the crowd. “We’ve got a launch coming up in a couple of months and all that jazz.”

“August,” Barnett says.

“September 8 at the Howler [in Brunswick],” Cloher corrects her sternly.… Read more..

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Smart collaboration bears “ego fruit”

In a world where the natural environment is under siege, it takes a shift in mindset to find comfort in the despoiled surroundings of our urban cityscapes. David Bridie, leader of enduring Melbourne chamber-pop group My Friend the Chocolate Cake, points out that often the most spectacular sunsets occur in polluted cities.

He speaks of crossing the West Gate Bridge, glancing down at the petrochemical plants and docks below. “It could be this grim industrial landscape, but from a certain point of view it’s just absolutely beautiful,” he says. And so was born a homage to the late, great Australian realist painter, Jeffrey Smart (Silver City): “We search out sanctuary, we search for stillness / We grasp at anything that’s out of the way / Sometimes the only thing to make it all spark / Is see the world through the eyes of Jeffrey Smart.”

Music entrepreneur Paul Cashmere, CEO of website Noise11.com, knew Bridie. He also knew Stephen Rogers, Smart’s archivist, and put the two in touch. Rogers was a fan of Bridie’s solo album Act Of Free Choice, though he thought “like everybody else” that My Friend the Chocolate Cake was “the world’s worst band name”.

But he loved the song – “You have to love the line, ‘shipping containers on the Cahill Expressway’” he says – and offered the group free access to Smart’s images, which are extensively used in Silver City’s accompanying video.… Read more..

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The Hummingbirds’ Simon Holmes, 1962-2017

The tragic news that Simon Holmes, founding singer and guitarist of Sydney band the Hummingbirds, passed away a week ago broke on Wednesday night, via the band’s Facebook page and a beautiful tribute by his friend, writer and fellow musician Tim Byron. Byron recalled that one of Holmes’ favourite sayings was “hurry up and wait”, a line Byron said he took from Brian Eno, but also was a key lyric in the chorus of Blondie’s hit Sunday Girl.

“Hurry up and wait” is a military phrase, meaning that a soldier has to hurry to arrive at a given destination only to then wait around for hours or days for something to happen. A lot of rock & roll is like that. An Australian band on tour in the 1980s could drive all day, flat out, to get to a venue in time for soundcheck before waiting the rest of the night to play.

The Hummingbirds’ career was true to their name and their sound; like a blur. They were here and they were gone, leaving just two albums and a clutch of glorious singles behind. They were flushed with early success, and in the years since spent a lot of time waiting to be rediscovered: a rare reformation show at Newtown Social Club a year ago with their contemporaries the Falling Joys quickly sold out.… Read more..

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Ed Kuepper honoured with re-naming of Brisbane park

The cultural contribution of Ed Kuepper to the city of Brisbane is set to be formally recognised, with a park close to his childhood home in the south-western suburb of Oxley set to be named in his honour.

Ed Kuepper Park – the sign for which is now being made – adjoins Oxley Road and Lawson Street. The name was approved by the council after a petition by local resident Maurice Murphy quickly gathered more than 800 signatures.

Kuepper, who was born in Bremen, West Germany before migrating with his parents to Australia in 1960 aged four, co-founded the Saints with singer Chris Bailey and drummer Ivor Hay in 1973. The group wrote many of their classics in the Kueppers’ garage.

Their single (I’m) Stranded and the subsequent album of the same name, recorded in 1976, is recognised as a cornerstone of the punk movement, even though the band was quick to disavow any association with it.

The band recorded two more internationally lauded albums for EMI, Eternally Yours and Prehistoric Sounds before splitting in late 1978, although Chris Bailey continues to record and tour using the Saints name.

Kuepper went on to the post-punk Laughing Clowns and a prolific solo career, nudging the top 40 with his 1991 album Honey Steel’s Gold and its accompanying single, The Way I Made You Feel.… Read more..

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By Joh, it could be Trump!

For Queenslanders of a certain age, there is so much about the rise of Donald Trump that seems eerily familiar. For 19 years, his prehistoric ancestor ruled the swamps of Australia’s deep north – a hillbilly dictator who beat up protesters and confounded the media with complete gibberish while a dark web of corruption flourished behind him. Thankfully, Joh Bjelke-Petersen didn’t have the codes, or a Twitter account.

At the time, the sheer lunacy of Bjelke-Petersen seemed beyond the reach of satirists, despite there being numerous comedic imitators of Joh’s folksy, stammering idiosyncrasies. These days, it’s getting harder to convince people who weren’t there that certain things actually happened, such as police being sent to university campuses on pre-dawn raids to rip condom-vending machines from toilet walls in 1987.

When he was eventually rolled by his own party, Joh locked himself in his parliamentary annex for days, phoning Buckingham Palace seeking Her Majesty’s intervention. If that’s not enough, imagine the corpulent figure of Russ Hinze – the minister for everything – bent at the waist, peering through the keyhole with tears streaming down his cheeks, beseeching his master: “Joh! Maaaate! It’s over!”

For many of those who lived through it, though, Bjelke-Petersen’s iron-fisted rule was no laughing matter.… Read more..

By Joh, it could be Trump! Read More »

When sorry is the hardest word

The federal health minister Greg Hunt, human services minister Alan Tudge and assistant treasurer Michael Sukkar are lucky men. The three have been spared contempt of court charges after issuing a grovelling, if belated apology to the Victorian appeals court, chief justice Marilyn Warren and her colleagues Stephen Kaye and Mark Weinberg.

The apology was reluctant: only last week the two ministers and Sukkar, via solicitor-general Stephen Donaghue QC, expressed half-hearted regrets for making potentially prejudicial remarks about an appeal that was before the court. They accused the judges of being “hard-left activists” who were “divorced from reality”. Hunt accused the court itself of being a forum for “ideological experiments”.

Only when Warren warned the trio there was a prima facie case of contempt against them did they withdraw their remarks, which were published on the front page of the Australian, and apologise unreservedly. As is so often the case, sorry is the hardest word to say.

Most reasonable people would regard an apology as more effective and more sincere when it’s not said under the very real threat of jail time, the end of one’s career and bringing down a government all at the same time. But let’s step away from this unusual case and consider the predicament of the human services minister, Alan Tudge, who might be thinking about whether he owes a second apology.… Read more..

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