Welcome to Notes From Pig City. This is my online archive for as much of my journalism as I can keep up with. Published pieces will be reposted here as soon as they can be. I also write exclusively on my Patreon page; those pieces are not republished here.

I’m the author of two books: Pig City (2004), a book about Brisbane, and Something To Believe In (2019), a music memoir. I'm currently employed by AAP. I continue to freelance occasionally for other publications, mostly Guardian Australia, where it doesn't conflict with my full-time gig.

I have a wide variety of interests, and they’re reflected by the number of tabs in the main menu. You can click through those, or the archive list at the bottom to find what you might be interested in, whether you’re a casual visitor or looking for something specific.

If you want to get in touch send me a message here.

Crowded House: Dreamers Are Waiting

It’s not easy to connect the four albums Crowded House made in their first life (from their formation in 1985 to their dissolution in 1996) to the three released since the traumatic passing of drummer Paul Hester in 2005. Although still the main and most popular vehicle for Neil Finn and original bass player Nick […]

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Beer, bass notes and the Bee Gees

I am sitting on the edge of a crowd of several thousand people gathered at Riverstage in Brisbane, and suddenly I’m feeling very nervous. I am about to be part of the latest (and, so far, biggest ever) live rendition of Pub Choir, and the legendary Barry Gibb, the sole survivor of the Bee Gees – who

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Nature Boy

This story is based on an interview I conducted with Kamahl in March 2009, hitherto untold. It’s been a long time coming. I hope it puts his life, his perspective and the events of recent weeks into greater context. Kandiah Kamalesvaran was seven years old when the Imperial Japanese Army completed their conquest of Malaysia

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Troy Cassar-Daley’s reckoning

On 1 April 2019, singer and songwriter Troy Cassar-Daley was finishing up a song with Cold Chisel guitarist Ian Moss when he took a phone call. His father, who had been depressed and in poor health following a stroke, had taken his own life. The song’s chorus – “watching it all go south” – took

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