Notes from Pig City - Archive of author and journalist Andrew Stafford

The high-risk life of the Bar-tailed Godwit

Environment / January 9, 2024 / 5 minutes of reading

From GJ Walter Park, just north of Toondah Harbour on the shores of Moreton Bay, Judith Hoyle gazes across the dappled water towards Cassim Island, a resilient stand of mangroves emerging from the mudflats several hundred metres offshore. Ferries from Minjerribah (North Stradbroke Island) cruise past, barely causing a ripple.

From a spit of mud on the island’s southern end, a group of 100 or so Bar-tailed Godwits appear undisturbed. But the rising tide is rapidly consuming their roost. As the spit disappears beneath the waves, the godwits reluctantly move to higher ground, deeper into the mangroves. By high tide, they will be forced further inshore, where dogs are allowed off-leash.

Hoyle, a BirdLife Australia board member, watches the godwits with a mixture of awe and concern. The birds are emaciated and exhausted, having only just arrived back in Moreton Bay from their breeding grounds in the Arctic tundra, which stretches from north-eastern Siberia to Alaska. They have barely any energy left, moving only when forced.

“Every time I talk about the migration of shorebirds, I come out in goosebumps,” Hoyle says.

Bar-tailed Godwits are endurance beasts. Last year, a satellite-tracked bird, just five months old, broke the record for a single flight, winging it nonstop over 13,500km from the Yukon Peninsula in Alaska to Tasmania in 11 days.… Read more..

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AFL grand final 2023: burning questions

AFL / January 9, 2024 / 4 minutes of reading

Collingwood held top spot on the ladder for almost the entire season, finishing minor premiers, while the Brisbane Lions steadily closed the gap to eventually finish runners-up. On Saturday, natural justice has been served, with the two teams playing off in the big dance for the biggest prize.

The Lions have had the easier passage into the grand final, while the Magpies have ground out narrow wins against Melbourne and GWS. Can Collingwood hang on, or will the Lions finally run over the top of them?

Last time they played

Round 23: Brisbane Lions 19.10 (124) d Collingwood 15.10 (100) at Marvel Stadium.

Will Collingwood bottle the game up?

This Collingwood team forged its reputation in late 2022 and most of 2023 playing football that could induce whiplash, based on lightning rebound from half-back. Lately, though – as the competition has caught up, and with Nick Daicos out for six weeks – they’ve looked more like the Sydney Swans under Paul Roos, grinding out close wins with highly contested play.

The Lions, conversely, are used to playing fast and loose football on fast tracks, and Saturday will be hot and dry. Heat won’t bother the Brisbane Lions, but will the Magpies force them into a war of attrition?… Read more..

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Michael Voss and the new tattoo blues

AFL / January 9, 2024 / 5 minutes of reading

Michael Voss was in a deep hole. It was 2011 and the Brisbane Lions, the team he had captained to three premierships, had lost the first seven games of the season. He was coaching the club, and pressure was mounting ahead of a game against fellow strugglers, North Melbourne, then coached by former teammate Brad Scott.

The Lions prevailed by 14 points. After the match, Scott was asked if there was any consolation in his old club breaking the drought. Scott, as notoriously ruthless a competitor as Voss, scoffed and shook his head in disgust. “Is that a serious question?” he asked. “People don’t understand this – because you played for another club is irrelevant. We came here to win.”

Twelve years later, Voss will return to the Gabba for a preliminary final, now as the coach of Carlton. He, too, will be playing to win against the club that appointed him coach (without interviewing any other candidates) in September 2008, then sacked him in early August 2013 in a fruitless pursuit of former Swans coach Paul Roos.

That’s all water under the bridge. “I think it’s a lot of what other people talk about,” he said at the Gabba on Friday.

The savage colonial history of bird names

Environment / January 2, 2024 / 4 minutes of reading

The Pink Cockatoo has had a few names over the years. The father of Australian ornithology, John Gould, knew it as Leadbeater’s cockatoo, following the scientific name given to it in 1831, Cacatua leadbeateri. This was after Benjamin Leadbeater, the London naturalist and taxidermist.

Sir Thomas Mitchell, the surveyor general of New South Wales from 1828 to 1855, called it the Red-top Cockatoo. He was awestruck by its beauty. “Few birds more enliven the monotonous hues of the Australian forest than this beautiful species whose pink-coloured wings and flowing crest might have embellished the air of a more voluptuous region,” he gushed.

It was for this lavish description that the Pink Cockatoo, now officially classified as endangered, was renamed Major Mitchell’s Cockatoo in 1977, after a survey of members of the Royal Australian Ornithologists Union (now BirdLife Australia) – a vote which the organisation’s public affairs manager, Sean Dooley, describes ruefully as “a bit of a Boaty McBoatface moment”.

It was certainly unfortunate to name such a beautiful bird after a mass killer. In 1836, at the euphemistically named Mount Dispersion, Mitchell encountered the Indigenous Kureinji and Barkindji people on the banks of the Murray River. His account of what happened there, unsparing in its brutality, stands in stark contrast to his rhapsodic description of the cockatoo:

“It was difficult to come at such enemies hovering in our rear with the lynx-eyed vigilance of savages … Attacked simultaneously by both parties, the whole betook themselves to the river, my men pursuing them and shooting as many as they could.… Read more..

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You’re the voice. Vote yes

Australian Politics, Music / January 2, 2024 / 4 minutes of reading

Not many people would find John Farnham’s You’re The Voice a difficult song to understand. Borrowing from the chorus for a moment, it makes a noise and makes it clear: we all have a role to play in civil society. From its opening line, it’s an imperviously optimistic appeal to human nature’s better angels: “We have the chance to turn the pages over”.

Most people, fortunately, are not a desperate politician on the hustings. Responding to Farnham’s endorsement of a constitutionally enshrined Indigenous voice to parliament – and his offering of You’re The Voice to the yes campaign – the opposition leader, Peter Dutton’s take on the song was obtuse, to say the least.

“The key line in the lyrics there, ‘You’re the voice, try and understand it,’” he told Sky News. “I honestly don’t think most Australians understand it and they want to be informed.” Apart from Dutton’s apparent unwillingness to educate himself (much less inform anyone else), attempting to sow further confusion out of such an obvious song is breathtakingly cynical.

The use of You’re The Voice by the yes campaign, and the timing of Farnham’s intervention, is pivotal. The no side has been successful so far in capitalising on uncertainty with its own appeal to ignorance, via its “If you don’t know, vote no” messaging.… Read more..

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Ego: The Michael Gudinski Story

Music / January 2, 2024 / 4 minutes of reading

At first, all is darkness. There is a hiss of cymbals, followed by a rude bang, thump and wallop. The lights go up. We see the late Australian music mogul Michael Gudinski, sitting at a drum kit, pounding the skins arrhythmically with his hands, making a point at his default setting: maximum volume.

“Well, you can obviously see I can’t play any music,” the Mushroom Records founder bawls in that sandpaper and gravel voice, familiar and weirdly soothing. “And that’s why I’m good at the music business. Because I don’t wanna be a pop or rock star, but HELL, I LIKE WORKING WITH THEM!” He rubs his hands together, ready to deal.

If we believe the galaxy of stars lining up to pay homage in Ego: The Michael Gudinski Story – now in Australian cinemas – Gudinski was bigger than all of them. Australian artists whose careers Gudinski nurtured, including Kylie Minogue, Jimmy Barnes and Paul Kelly, are joined by international heavy-hitters Bruce Springsteen, Ed Sheeran, Billy Joel, Sting and the obligatory Dave Grohl.

They paint a picture of the ultimate music fan, tirelessly enthusiastic, driven by art ahead of commerce. But Gudinski was a ruthless businessman first. Ego tells the story of how, over a boozy lunch in 1975, five men stitched up the Melbourne music business via the formation of booking agency Premier Artists, and later the promotions juggernaut Frontier Touring.… Read more..

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