Qld Politics

A saint in the suburbs

Late in the last week of January 1974, following a flood Brisbane would not see the like of again for close to another 40 years, a 17-year-old Ed Kuepper was on watch in the tough south-western Brisbane suburb of Oxley. There had been looting as the filthy water finally began to recede, and a caravan, from which residents could take turns keeping lookout, had been set up across the road from his parents’ house.

Kuepper – who had formed his first band, the Saints, just a few months earlier with school mates Chris Bailey and Ivor Hay – was a little tipsy. The local alderman, Gordon “Bluey” Thomson, had just visited, bringing beer. He was also carrying a revolver, which he gave to Kuepper. “Don’t drink too much, but look after the gun!” he told him.

Later, as the adults continued drinking, the young Kuepper walked down his street, “gun-slinging”, cockily twirling the loaded weapon as if he were a character in a western. Suddenly, a car turned into the street. Kuepper hailed it down, directing his torch into the driver’s eyes. It wasn’t until the vehicle was alongside him that he realised it was the police.

The driver looked the skinny teenager up and down.… Read more..

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Brisbane will go on without you, Bridie

It was Tex Perkins who put it best – and most bluntly. “Brisbane you have to leave,” the singer known to his mum as Greg told the Australian edition of Rolling Stone. “You come out of your mother, you go to school, and then you think, oh shit – what am I doing here?” That was 20 years ago.

Young people have been leaving Brisbane for as long as they’ve been coming out of their mothers, to use Tex’s ever so delicate vernacular. It was almost compulsory during the Joh Bjelke-Petersen years – a musician friend of mine remembers the police telling him, point blank, that people like him weren’t welcome in Queensland.

That sort of harassment goes back a long way. Matt Condon’s book Three Crooked Kings, which describes how corruption was allowed to take root in pre-Fitzgerald Queensland, remembers how police commissioner Frank Bischof used to hand out starched and collared shirts and ties to the local bodgies and widgies in the 1950s.

Now, apparently, the writers, musicians and (gasp) hospitality workers are all leaving again, according to the recently decamped Bridie Jabour. I can’t blame her: after all, I too left Brisbane for Sydney when I was 25.… Read more..

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Arse-backwards in Queensland’s backwoods

It’s one of those things that gives us poor Banana Benders our backwoods reputation. In 1987, just as AIDS crashed into the national consciousness via the Grim Reaper advertisements, a brawl broke out in the Queensland National Party – its moral façade soon to be torn to shreds by Tony Fitzgerald QC – over contraception.

Mike Ahern, the progressive health minister and future premier, took a proposal to Cabinet to allow the sale of condoms through vending machines. The premier, Joh Bjelke-Petersen, rebuffed him. When students defied the ban and installed machines around university campuses, police were despatched to rip them from the walls in the dead of night.

Without so much as a shred of irony, Bob Katter Junior – then the minister for Aboriginal affairs in Joh’s infamously corrupt government – defended the ban with these immortal words: “Condoms are despicable things that won’t prevent the spread of AIDS but will encourage the community to have sex with gay abandon.”

A few years later, Katter promised to “walk backwards to Bourke if the poof population of North Queensland is any more than 0.001 percent”, adding for good measure, “Mind you, if the percentage is what they say it is in the rest of Australia, I’ll take to walking everywhere backwards.”… Read more..

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Happy birthday to Zoo

Note for overseas and interstate readers: The Zoo is a music venue in the quaintly-named inner suburb of Fortitude Valley, in my hometown of Brisbane. It’s 20 years old this week, a startling achievement in an industry where places to play appear and often disappear in the space of 12 months. This is my happy birthday message to one of my favourite places, which changed the face of the Valley, and helped change the way we viewed our own city during a time of great change.

The Zoo was always different.

The first time I walked up that short but steep staircase, it was to see former Go-Between Robert Forster. The stairs brought you not to the entrance, but smack into the middle of the venue. There was a small stage in the far right-hand corner; a basic wooden platform less than a foot above the floor. I heard the cracking of pool balls as I walked in.

In the left-hand corner was the serving area. The conditions of the nascent venue’s license at the time meant that food had to be provided with drinks. Being an impoverished student (and a lousy cook besides), there were many times when the Zoo’s cheap, nourishing meals were seriously appreciated.… Read more..

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Flowers in the wheelie bin

In 1977, John Lydon – née Rotten – launched a vitriolic attack on the monarchy that brutally summed up the status of England’s youth in the year of the Queen’s Silver Jubilee: “When there’s no future, how can there be sin? / We are the flowers in the dustbin / We’re the poison in your human machine / We’re the future, your future!”

God Save The Queen, as performed by the Sex Pistols, is one of the greatest protest songs of all time, but I’ve long pondered over these lyrics. Was Lydon inferring that Britain’s future had been literally thrown out with the garbage, as the nation celebrated? Or making a statement about how great art can be constructed from throwaway refuse – one of punk’s defining tenets?

Or was he saying that art itself is nurtured by the oppression of the state? “We’re the poison in your human machine” is a wonderfully subversive argument to this effect, and it’s a line with ongoing resonance to Queensland. It’s a common assumption, for example, that the 1970s punk explosion in Brisbane, spearheaded by the Saints (who, let’s not forget, pre-dated the Pistols by as much as two years) was a reaction to the excesses of life in Queensland under Joh Bjelke-Petersen.… Read more..

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Bean-counters at the gates of Queensland

And here I was thinking that Queensland wasn’t about to return to the Dark Ages. That nice, “comparatively urbane” Campbell Newman wouldn’t do anything really dumb in his first fortnight, like, say, axe the Queensland Premier’s Literary Awards. Would he?

Oh, wait. He would. He has.

“…The Queensland government has decided not to proceed with the Queensland Premier’s Literary Awards in 2012 which will save Queensland taxpayers $244,475, not including the cost of resourcing the awards.

“The government would like to acknowledge all the sponsors, judges, stakeholders, entrants and winners for their valued contribution to the program to date.”

Well, that’s nice. Clearly though, their contributions are no longer valued – or perhaps more to the point, their contributions are nowhere near as politically valuable as a holy budget surplus. I can only guess, given the speed with which the axe has fallen, that literary prizes fall under the umbrella of the “waste and mismanagement” Newman railed against while in opposition.

On one hand, it’s smart politics. Newman will guess that not too many people in the arts sector will have voted for him, and probably never will. This won’t be news for more than five minutes outside of the minority of Queenslanders that actually, you know, read books.… Read more..

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