Music

Beer, bass notes and the Bee Gees

Music / / 4 minutes of reading

I am sitting on the edge of a crowd of several thousand people gathered at Riverstage in Brisbane, and suddenly I’m feeling very nervous. I am about to be part of the latest (and, so far, biggest ever) live rendition of Pub Choir, and the legendary Barry Gibb, the sole survivor of the Bee Gees – who began their performing careers here in Pub Choir’s birthplace – is appearing on a screen above the stage.

He tells us the song we’re about to sing is their early hit To Love Somebody, and he promises “it’ll be about as easy as it was in 1967 for me”, but that he’s sure it will sound wonderful. I am less convinced – or at least, am unsure I can get even close to the orchestral pop classic’s complex melody, let alone pitch. Fortunately, I’ll be drowned out by everyone else, which is (a) merciful and (b) the whole point, but all I can think is that this is going to be a disaster.

Of course, if Pub Choir was about virtuosity, it would not exist. Founded by conductor Astrid Jorgensen in 2017, it works on the same principle as other community choral groups, including churches: that everyone can sing, no matter how well or badly, and that it feels good, especially when it’s done in large groups and alcohol is added.… Read more..

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Nature Boy

Music / / 16 minutes of reading

This story is based on an interview I conducted with Kamahl in March 2009, hitherto untold. It’s been a long time coming. I hope it puts his life, his perspective and the events of recent weeks into greater context.

Kandiah Kamalesvaran was seven years old when the Imperial Japanese Army completed their conquest of Malaysia in February 1942, after the surrender of Allied forces in Singapore.

By the time he was eight, he’d seen heads on pikes, and other things no child should ever see. Everywhere, there was a Japanese soldier astride a black horse, a sword on his hip.

To get out of harm’s way, his parents pulled their growing family out of the heaving Kuala Lumpur metropolis to the countryside. They owned a cow, and one day young Kamal took it out for a walk and a feed.

On the way home, he encountered a Japanese soldier on horseback. The soldier beckoned him, and put his hand to his hip. Kamal closed his eyes, anticipating that his head was about to be removed from his body.

After a few seconds, realising it was still attached, he opened them again, and saw a flash of silver. But it wasn’t a sword that the soldier was brandishing in front of his nose.… Read more..

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Kamahl, Hey Hey and cancel culture

Music, Television / / 4 minutes of reading

When Daryl Somers, former host of Hey Hey It’s Saturday, told the Daily Telegraph that “you probably could not get away with half the stuff you could on Hey Hey now because of political correctness and cancel culture”, it reminded many viewers of two things.

First, that Hey Hey It’s Saturday had already been cancelled twice: in 1999, after a 28-year run, and in 2010, when a brief reboot of the series was marred by an infamous blackface sketch.

The second was the type of humour the Australian variety show traded in.

A montage on Twitter, compiling a series of incidents in which the singer Kamahl was racially mocked and belittled on the show, went viral. In another cartoon, he was depicted in a stew pot with a bone through his nose.

The now 86-year-old said he often felt “humiliated” by his experiences as a regular guest on the show. Speaking to Guardian Australia this week, he said he had been invited repeatedly to appear on the show during the reboot, but “found reasons not to go” at the time.

Kamahl has been the most recognised Australian voice of lounge and easy-listening music in a career spanning more than 60 years, performing on stages ranging from the Sydney Opera House to the Big Day Out rock festival.… Read more..

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Troy Cassar-Daley’s reckoning

Music / / 5 minutes of reading

On 1 April 2019, singer and songwriter Troy Cassar-Daley was finishing up a song with Cold Chisel guitarist Ian Moss when he took a phone call. His father, who had been depressed and in poor health following a stroke, had taken his own life. The song’s chorus – “watching it all go south” – took on a too-real darker hue.

As 2019 stretched into the pandemic of 2020, Cassar-Daley entered a downward spiral. His long-standing marriage to broadcaster Laurel Edwards, with whom he has two adult children, was suffering. The son of a Bundjalung woman from Grafton in north-eastern New South Wales, he tried to escape back to country, seeking his grandmother’s counsel.

Cassar-Daley’s grandparents are long deceased, but he still talks to them. “I consult with them a lot when I’m sitting by myself on the river where I grew up, and I distinctly felt my grandmother say to me, ‘Your problems aren’t here. I think you know where the problems are; you have to go back,’” he says.

Cassar-Daley is part of the firmament of Australian country music, the winner of 37 Golden Guitar Awards, on top of numerous ARIA and Deadly gongs. On Friday, he released his 13th studio album, The World Today.… Read more..

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Girls to the front

Music / / 5 minutes of reading

Sometime in the mid-1990s, at around four in the morning, Melbourne music teacher Stephanie Bourke’s phone rang. It was Courtney Love, the lead singer of Hole. One of the students at Bourke’s famed Rock & Roll High School, Brody Dalle – who would go on to fame with the Distillers – had come to Love’s attention.

“The first thing she said was, ‘How many girls have you got down there who sound exactly like me?’ I thought it was a prank call! But then she said, ‘I’m going to help you out, I’m going to send you some guitars!’” Love’s manager got in touch, and a few weeks later, seven Fenders arrived in the mail.

Bourke still has those guitars. She also has a vintage white bass originally owned by Kim Gordon and signed by the members of Sonic Youth, as seen in the video for probably that band’s best-known song, Kool Thing. These days, the guitar is being played by Sidonie Thomas, bass player of a Sydney trio called Bliss – a product of Bourke’s new school, the Kings Cross Conservatorium (KXC).

Rock & Roll High School, named after the Ramones song, was a Melbourne institution: running for over a decade, the school produced four compilations featuring 30 bands each.… Read more..

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Michael Gudinski 1952-2021

Music / / 4 minutes of reading

For more than 45 years Michael Gudinski, who died on Monday aged 68, was a dominant, domineering, polarising but above all passionate figure in Australia’s cultural landscape. He lived and breathed Australian music.

Everyone who met Gudinski had a story to tell about him, not all of which are printable. What is indisputable is that life in Australia changed in a profound way when Mushroom Records – the label he co-founded in 1972 – released Skyhooks’ first album Living In The 70’s (complete with its errant apostrophe) a couple of years later.

Living In The 70’s topped the charts for four months, selling 240,000 copies. Beyond the sales, the album changed perceptions of what Australian music could be. Many of the lyrics (by bass player and songwriter Greg Macainsh) were hyperlocal to Gudinski’s beloved Melbourne.

In many ways, the album was a reflection of Gudinski himself: brash, hyperactive, coarse (more than half its tracks were banned from airplay), unapologetic and funny. It helped that it was released just as the music television show Countdown first appeared in Australian lounge rooms, with the support of Ian “Molly” Meldrum propelling Skyhooks to stardom.

Over the next decade, Mushroom released dozens of albums that presented their own interrogations of Australian life, from the Models’ Local &/Or General (1981) to the Triffids (Born Sandy Devotional, 1986), Hunters & Collectors (Human Frailty, 1986), the Go-Betweens’ 16 Lovers Lane and the Church’s Starfish (both 1988).… Read more..

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