Music

The Cosmic Psychos: 40 years of drinking, fighting and roadkill

Music / / 6 minutes of reading

Ross Knight – bass player, singer and mainstay of Australian punk heroes the Cosmic Psychos – tells a good yarn that deftly illustrates his group’s public image.

The Psychos, who are celebrating 40 years since their humble beginnings in central Victoria as a school band originally named Rancid Spam, were unlikely guests of honour at the Australian embassy in Berlin in 2013, commemorating 60 years of friendship between Australia and Germany. The band had driven all night from Utrecht in the Netherlands, arriving in Berlin about 3am. Of course, they found a bar before rolling up to the embassy a few hours later, very much the worse for wear.

As they slid open their van’s side door, beer cans spilled out, rolling towards the assembled dignitaries like unexploded mortar shells. The band followed the cans into the light, blinking, Knight dressed in Blundstones, jeans and a Yakka shirt and their guitarist, John “Mad Macka” McKeering, in a tracksuit.

“We were standing next to generals and majors and ambassadors and goodness knows who else, going, ‘Bloody hell, how did this happen?’” Knight says, chuckling.

The Cosmic Psychos are an Australian institution. Sounding like the Ramones fronted by the Crocodile Hunter, they write songs in a distinctly local vernacular about drinking, fighting, roadkill and punching above your weight.… Read more..

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The Cruel Sea: Fortitude Music Hall, 30 November 2023

Music / / 3 minutes of reading

Outside the Fortitude Music Hall in Brisbane’s biggest nightclub strip, two hours before showtime, a long line snakes up and around Brunswick Street Mall. It’s been well over a decade since the Cruel Sea played here, and the 3,000-capacity venue is soon overflowing to the point of feeling oversold.

It’s a reminder of just how big the Tex Perkins-fronted outfit was in their heyday. They’re back to celebrate the 30th anniversary of The Honeymoon Is Over, their biggest album by far. Other than a low-key warm-up for a wildlife charity, this is the first of a half-dozen gigs that may or may not point to a second life for the band. There’s nerves, and some rust.

The audience, overwhelmingly in their 50s and 60s, are showing signs of wear too. The Cruel Sea were a strictly generation X, very Australian phenomenon. After the title track of Honeymoon became a hit – one of those songs that still appears on Triple M’s so-called Ozzest 100 – the Cruel Sea rode the wave until the end of the millennium, then vanished like smoke.

Tonight’s set is dedicated to keyboardist and guitarist James Cruickshank, who died in 2015. He’s replaced by Matt Walker, who ambles on stage with the band’s original trio: guitarist Dan Rumour, bass player Ken Gormly and drummer Jim Elliott.… Read more..

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Mutiny in Heaven: the Birthday Party from hell

Music / / 6 minutes of reading

In 1981, at a garbage dump on the outskirts of Melbourne, a band is making a video. The idea is to recreate a vision of hell. A cartoon death’s head with six limbs flashes on the screen. We see a young and scrawny Nick Cave – “a fat little insect” – pole-dancing in the middle of a circus tent. The song is an ode to self-loathing called Nick The Stripper.

Behind him, the Birthday Party swings and stumbles. After a year in London, the band once dubbed the Boys Next Door have returned to their home town a very different and much more menacing beast, ready to cut their first full album, Prayers On Fire. The tune, if you can call it that, hangs on a ghostly three-note refrain by the guitarist Rowland S Howard.

The action moves outside the tent. Along with friends, the band has bussed in residents of a mental health facility; one of them stands atop a gallows. Cave is wearing a loincloth. There’s a disturbing scene involving a goat.

A new documentary on the band, Mutiny In Heaven, lingers over this grotesque carnival of souls for the clip’s full four minutes. The film’s director, Ian White, says it would have been a shame not to use it in its entirety.… Read more..

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Deborah Conway: Now she’s 64

Music / / 8 minutes of reading

In June 1991, Deborah Conway was driving in her home town of Melbourne and, with the aid of one of those old push-button car stereos, the singer heard her song playing on three radio stations at once. It’s Only The Beginning was everywhere. No one could resist its ringing, descending guitar hook, with its obvious echo of the Cure’s Just Like Heaven.

The song was joyous, something Conway – who had first hit the charts with Do Ré Mi’s feminist anthem Man Overboard – was thrown by. She rewrote the lyrics with a darker undercurrent before settling on the sunny optimism of the original, with its wry acknowledgment that some of the best affairs of our lives are fleeting, if not wildly inappropriate.

And then there was the film clip.

In her new memoir, Book Of Life, Conway reveals that Mushroom Records boss Michael Gudinski didn’t think she had made the best use of her physical assets by dressing in plus-fours and setting the song on a golf course – a playful homage to the classic 1938 Cary Grant and Katharine Hepburn screwball comedy Bringing Up Baby.

Conway wasn’t interviewed for the recent Gudinski documentary, Ego.… Read more..

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You’re the voice. Vote yes

Australian Politics, Music / / 4 minutes of reading

Not many people would find John Farnham’s You’re The Voice a difficult song to understand. Borrowing from the chorus for a moment, it makes a noise and makes it clear: we all have a role to play in civil society. From its opening line, it’s an imperviously optimistic appeal to human nature’s better angels: “We have the chance to turn the pages over”.

Most people, fortunately, are not a desperate politician on the hustings. Responding to Farnham’s endorsement of a constitutionally enshrined Indigenous voice to parliament – and his offering of You’re The Voice to the yes campaign – the opposition leader, Peter Dutton’s take on the song was obtuse, to say the least.

“The key line in the lyrics there, ‘You’re the voice, try and understand it,’” he told Sky News. “I honestly don’t think most Australians understand it and they want to be informed.” Apart from Dutton’s apparent unwillingness to educate himself (much less inform anyone else), attempting to sow further confusion out of such an obvious song is breathtakingly cynical.

The use of You’re The Voice by the yes campaign, and the timing of Farnham’s intervention, is pivotal. The no side has been successful so far in capitalising on uncertainty with its own appeal to ignorance, via its “If you don’t know, vote no” messaging.… Read more..

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Ego: The Michael Gudinski Story

Music / / 4 minutes of reading

At first, all is darkness. There is a hiss of cymbals, followed by a rude bang, thump and wallop. The lights go up. We see the late Australian music mogul Michael Gudinski, sitting at a drum kit, pounding the skins arrhythmically with his hands, making a point at his default setting: maximum volume.

“Well, you can obviously see I can’t play any music,” the Mushroom Records founder bawls in that sandpaper and gravel voice, familiar and weirdly soothing. “And that’s why I’m good at the music business. Because I don’t wanna be a pop or rock star, but HELL, I LIKE WORKING WITH THEM!” He rubs his hands together, ready to deal.

If we believe the galaxy of stars lining up to pay homage in Ego: The Michael Gudinski Story – now in Australian cinemas – Gudinski was bigger than all of them. Australian artists whose careers Gudinski nurtured, including Kylie Minogue, Jimmy Barnes and Paul Kelly, are joined by international heavy-hitters Bruce Springsteen, Ed Sheeran, Billy Joel, Sting and the obligatory Dave Grohl.

They paint a picture of the ultimate music fan, tirelessly enthusiastic, driven by art ahead of commerce. But Gudinski was a ruthless businessman first. Ego tells the story of how, over a boozy lunch in 1975, five men stitched up the Melbourne music business via the formation of booking agency Premier Artists, and later the promotions juggernaut Frontier Touring.… Read more..

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